☼Final event :”DREAM” by NOKE YUITZA @Arte Libera May10. 2014

Machinimographer Wizardoz Chrome brings to us her last machinima release: a collective oniric perspective of the finale of DREAM in Arte Libera.

She, as the dreamer, dive deep into the ambient in a closer look to DREAM’s characters, capturing other dreamers that join us during the electronica music performance of Neya Mode and ALEXI.

Mahalo and congrats Wiz, I love it! 🙂

Machinima by Wizardoz Chrome from : ☼Final event :”DREAM” by NOKE YUITZA @Arte Libera May10. 2014
Event with music by Alexi Ayres and Neya Mode.
☼Information : https://nokeyuitza.wordpress.com/2014/…
https://www.facebook.com/pages/Arte-L…
☼Soundtrack of the machinima (from hulkshare) is by Neya Mode:
[Neya]Dream CG art installation and Arte Libera Gallery
(track is Seduction (feat. Emika) CD Version
by Marcel Dettmann )

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DREAM finale event next saturday 10

DREAM FINALE EVENT in Arte Libera's Garden

DREAM FINALE EVENT in Arte Libera’s Garden

The sun is rising and we must wake up from Dream. Join us this Saturday with Singularity Tribe’s talented Japanese Dj Neya Mode and Hawaiian musician Alexi in the electronica music finale event of Dream CG art installation and Arte Libera Gallery project.

See you there!

Day: Saturday 10 of May

Time: from 01 pm to 04 pm SLT (23h to 01h in Spain and Italy)

Where: Arte Libera Gallery Garden in Second Life

Follow this event on Facebook here.

What is Dream?

Dream is my last rendered on real-time CG art installation project in virtual worlds. Talks about the need to love and be loved, of to feel that inner hole, that absence, specially in night-time.

You need to have install Second Life to attend to the show and visit Dream in Arte Libera Garden.

Special thanks to Singularity Tribe and Arte Libera people who made possible this virtual art installation!

Enjoy 😉

Tears in Rain, LEA10: Robotic Wars

Gallery

This gallery contains 28 photos.

From BURN2 to LEA10, the Robotic Wars have started. Visit them at: Stage 02, Fragment 03, file #6B-138: “Robotic Wars” Meet the Factions! Join yours!! Editor of the CAUSE: Lora Lowenstark Replicant Faction: Simba Schumann (leader) Brune BB Crash Queen … Continue reading

Monday 12, opening of “Lacrime nella Pioggia” at Imparafacile Land in Second Life

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Lacrime nella Pioggia in IMPARAFACILE Land, Madrid 2109 01

Lacrime nella Pioggia in IMPARAFACILE Land. Stage 02: Lacrime nella Pioggia (Madrid 2109), Fagment 16.

LACRIME NELLA PIOGGIA, New Media Art installation

Inspired in Tears in Rain, by Rosa Montero

It’s a pleasure to invite you to the official opening of Lacrime nella Pioggia, the summary version of my virtual art installation Tears in Rain, based in Rosa Montero’s book Tears in Rain, and that will count with the presence of Rosa Montero as her main character, Bruna Husky. It will be at IMPARAFACILE land, virtual space of the Italian readers group Libriamo Tutti in Second Life:

Preview on 27 October inside the Sanremo’s e-Book Festival
November 12, official opening at 21:00 h UTC (22:00 h Italy and Spain; 13:00 h Los Ángeles, USA, official Second Life time).
Landing Pointhttp://maps.secondlife.com/secondlife/Imparafacile/134/79/1519

For information in-world, contact Simba Schumann or Maryhola McMillan.

Addicional information:

Lunes 12: Inauguración de “Lacrime nella Pioggia” en Imparafacile Land

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Lacrime nella Pioggia in IMPARAFACILE Land, Madrid 2109 01

Lacrime nella Pioggia in IMPARAFACILE Land. Stage 02: Lacrime nella Pioggia (Madrid 2109), Fagment 16.

LACRIME NELLA PIOGGIA, instalación artística virtual

Inspirada en Lágrimas en la Lluvia, de Rosa Montero

Es un placer invitaros este lunes 12 a la inauguración de Lacrime nella Pioggia, la primera parte de mi instalación artística virtual Tears in Rain, basada en el libro Lágrimas en la Lluvia de Rosa Montero, y que contará con la presencia de la propia Rosa Montero. Será en IMPARAFACILE land, el espacio del grupo italiano de lectores Libriamo Tutti en Second Life:

Preview: 27 de octubre en el e-Book Festival de Sanremo
Inauguración oficial: 12 de noviembre a las 21h UTC (22h Italia y España; 13h Los Ángeles, USA, hora oficial de Second Life)
Punto de llegada (Landing Point): http://maps.secondlife.com/secondlife/Imparafacile/134/79/1519

Para información in-world, contacta con: Simba Schumann e Maryhola McMillan.

Información adicional:

TEARS IN RAIN, el proyecto

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TEARS IN RAIN
Intervención artística inspirada en Lágrimas en la Lluvia, de Rosa Montero

Baldini Lucia's interpretation about my "Lacrime nella pioggia" 06

The moment of awakening.

Introducción

Como un eco, miles de personas conectadas dejan cada día tras de sí una estela que permanece en el ciberespacio mientras están AFK o lejos del teclado. Y esta se expande y crece golosa alimentada por las tecnologías sociales de nuestra era, la Digital. Es lo que se llama “ghost”, un pedazo del espíritu humano que, como una lágrima que se mezcla con la lluvia, conforma una huella virtual común y globalizada y que representa un nuevo tipo de herencia humana. Pero, ¿cómo evolucionará este “ghost” en el futuro?

Tears in Rain es una inmersión en esta pregunta, de manera artística y digital, que encuentra una posible respuesta en el futuro del Madrid de 2109 visualizado por Rosa Montero en su obra Lágrimas en la Lluvia, cuya protagonista es una replicante, donde se abordan temas tan contemporáneos como el de la memoria, las emociones, las relaciones, la guerra, la pobreza, el cambio climático y la polución, el sexo, el racismo, la corrupción, el derecho a la vida y a vivirla con dignidad, la muerte…

Así es como este proyecto recoge algunos de los fragmentos del libro de Montero y los recrea de manera surrealista en un ecosistema virtual, siguiendo la estela del “ghost”, en lo que es, por encima de todo, un canto a la esencia de la vida y a la memoria.

Estética

Para su estética, Tears in Rain se inspira en el anime Ghost in the Shell y en la película Blade Runner porque, al igual que Lágrimas en la Lluvia, estas historias ciberpunk presentan un futuro realista y posible que encierra un debate sobre este nuevo tipo de herencia humana.

Concepto y descripción

Tears in Rain es una obra digital en 3D que se muestra y se expande por diversos espacios galerísticos en el mundo virtual de Second Life y cuyo esqueleto está compuesto en tres escenarios principales ligados por el futuro cercano, el presente de 2109 y el futuro lejano: Making of a replicant (Future Communities), Madrid 2109 (Lacrime nella Pioggia) y Alien Humanity. Los tres re-diseñados en base a sus versiones originales diseñadas respectivamente para el SL9B, la Academia de Bellas Artes de Brera y las celebraciones del centenario de la University of Western Australia.

En una concepción in-vitro entre vida orgánica y virtual, sostenida por el concepto de trinidad (orgánico, virtual, espiritual), Making of a replicant presenta el nacimiento de una nueva comunidad de humanos transgénicos: los tecnohumanos o replicantes. Madrid 2109, la parte central de esta intervención artística, sigue la evolución personal y el despertar de Bruna Husky, la replicante protagonista de Lágrimas en la Lluvia. Y Alien Humanity, inspirado en cierta manera en la obra Oneness de Mariko Mori y en un experimento sobre empatía y neuronas espejo, cierra Tears in Rain con una semilla de esperanza sobre lo que viene después del final, después del apocalipsis, con doce apóstoles extraterrestres que intentan recuperar la especie humana con otra concepción artificial.

De manera satélite a estos tres escenarios, se lleva a cabo “I Bruna, I Replicant”, una iniciativa transmedia que es al tiempo un homenaje a la propia Rosa Montero, por su cercanía con sus lectores, así como la representación del momento en el que un lector comienza a empatizar con un personaje.

Colaboración especial de la autora del libro, de sus casas editoriales y de sus lectores

Rosa Montero ha elegido y pone la voz a los fragmentos del escenario 2 y es la Bruna de los fragmentos 01 y 08, las editoriales de Lágrimas en la Lluvia en diferentes idiomas (Seix Barral, Salani Editore, Porto Editora, Amazon Publishing, Éditions MétailéMuza SA….) han cedido el primer capítulo para ser subido y usado en el marco de la exposición y algunos de sus lectores contribuyen con su retrato en “I Bruna, I Replicant” caracterizados como Bruna Husky.

Espacios en Second Life donde se puede visitar Tears in Rain y calendario

Este proyecto artístico intenta tejer una red intercultural entre diversos grupos culturales en Second Life alrededor de los fragmentos del libro de Rosa Montero y, por tanto, está diseminado en los siguientes espacios galerísticos virtuales:

  • Lacrime nella Pioggia, el resumen, en IMPARAFACILE land, espacio del grupo italiano de lectores Libriamo Tutti
  • The Robotic Wars, en BURN2, espacio virtual de la Burning Man (Black Rocks, USA)
  • Tears in Rain, el centro neural, en LEA10, dentro del proyecto Linden Endowment for the Arts
  • The Robotic Wars v.02, en LEA10
  • Los Falsos, en el Museo Karura Art Centre
  • Le Masquerade Valls, en Arte Libera‘s Garden en diciembre (bajo construcción)
  • I Bruna, I Replicant”, bosque de lectores de Lágrimas en la Lluvia, diseminado alrededor del proyecto y cuyo centro está en LEA10

Descargas en PDF del primer capítulo del libro en diferentes idiomas

En español:

En italiano:

En portugués:

En inglés:

En francés:

En polonés:

Galerías de imágenes de la intervención en Second Life

Lacrime nella Pioggia, preview el 27 de octubre para el e-Book Festival de Sanremo:

The Robotic Wars en BURN2

The Robotic Wars, Arthropod robot v.02.
Made in Blender 2.64 and rendered under Cycles Render. Low poly character.
Textures: “BURN2 playa”, from Burning Man, Tears of Steal’s “tile_rust_patches-im42″, from the Mango Project of the Blender Foundation and Madrid street overview map and replicant eye by myself.
©noke 2012.

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Grupos que colaboran en este proyecto

LEA (Linden Endowment for the Arts), Libriamo Tutti, Arte Libera, The Museum Karura Art Centre, BURN2.

Actores

Simba Schumann, Brune BB Crash Queen, Wizardoz Chrome, Grazietta Cazenove, Storm Blauvelt, Gattalia Rossini, Kondorblue, Helenita Janus, Moki Yuitza, Syra Hyun, Geigel (jjwilfred) Resident y Noke Yuitza.

“I BRUNA, I REPLICANT” Lectores

Zelig, Miguel Lopez, Gabriela Vacca, Mara GalRiv, Gatito de Cristine Pizan, Sebastian Hidalgo, Nossa Kratfige Frau, Gabriel Diaz Barragan, Shangreloo Kuhn, Luis Alberto Moreno Reynoso, Elvira, Virginia Torres, Morlita Quan, Ina Karura, Brune BB Crash Queen, Karlos, Duna Grant y Marieli Uriza.

Agradecimientos

Agradecer especialmente a Rosa Montero, Simona Lamonaca y Giovanni Dalla Bonna, por su inestimable colaboración en todo lo propuesto, y a las editoriales Seix BarralSalani EditorePorto EditoraAmazon Publishing,  Éditions Métailé y Muza SA, a los grupos Arte Libera, Libriamo Tutti, LEA, Burning Man y el Museo Karura Art Centre, a Fred Beckhusen por la ayuda con los scripts y a todo aquel que ha participado en el proceso de esta instalación porque sin ellos no sería posible realizar un proyecto de esta envergadura.

Software utilizado

Blender 2.6, Photoshop & Illustrator CS5, Second Life’s 3D editor.

Related articles about the intervention

Related articles

Tears in Rain, the project

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TEARS IN RAIN, Poster 01PROJECT SUMMARY

Like an echo, thousands of people connected leave each day behind them a trail that remains in cyberspace while they are AFK (Away From Keyboard). And this expands and grows greedy fueled by the social technologies of our Digital Era. It’s what is called the Ghost, a piece of the human spirit that, as a tear that is mixed with the rain, forms a common virtual global footprint and represents a new type of human heritage. But how will be this Ghost in the future?

Tears in Rain is an artistic and digital immersion into this question that finds a possible answer in the future of Madrid of 2109 visualized by Rosa Montero in her book Tears in Rain, which follows the life of a female replicant while covers contemporary subjects such as memory, emotions, relationships, war, poverty, climate change and pollution, sex, racism, corruption, the right to life and live it with dignity, death…

That’s how this project collects some of the passages from Montero’s book and, in a surreal way, recreates them inside a virtual ecosystem, in the trail of the Ghost, in what is, above all, a song to the essence of life and the memory.

Aesthetics

Aesthetics of Tears in Rain are inspired by the anime Ghost in the Shell and Blade Runner film because, like Tears in Rain book, these cyberpunk stories present a realistic and possible future that holds a debate on this new type of human heritage.

Concept and description

Tears in Rain is a 3D digital work shown and performed in various galerist spaces in the virtual world of Second Life and whose skeleton consists of three main stages, linked by the near future, the present of 2109 and the far future, re-thought and based on their original versions designed respectively for the SL9B , the Academy of Fine Arts of Brera (Milan, Italy) and the celebrations of the centenary of the University of Western Australia (Australia): Future Communities, Lacrime nella pioggia and Alien Humanity, now renamed as:

“Making of a replicant”, Scenario 01: Inside an in-vitro conception between virtual and organic life hybridization, held by the trinity concept (organic, virtual and spiritual), Future Communities talks about the birth of a new community of transgenic human beings: the technohumans or replicants.

“Madrid 2109”, Scenario 02: follows the inner evolution and awakening of Bruna Husky, the replicant and main character of Montero’s book, through 16 memory fragments.

Alien Humanity”, Scenario 03: inspired in a certain way in Mariko Mori‘s installation Oneness, in space terraformation and in an experiment based on empathy and mirror neurons, is concerned about what comes next, after the end, after the apocalypse, with a sacred family of extraterrestrial beings trying to recover the human specie with other artificial conception.

Around these three scenarios, is performed “I Bruna, I Replicant”, a transmedia initiative that is both a tribute to Rosa Montero, due to of her proximity to her readers, and the representation of the moment in which a reader begins to empathize with a character.

Special collaboration of the author of the book, her publishing houses and her readers

Rosa Montero chooses and puts the voice of the fragments of the stage 2 and she’s the Bruna of fragments 01 and 08, the publishing houses of her Tears in Rain (Seix Barral, Salani Editore, Porto Editora, Amazon Publishing, Éditions Métailé, Muza SA…) give the first chapter to be uploaded and used for this project and some of her readers contribute via Montero’s facebook with their self-portraits characterized as Bruna Husky for “I Bruna, I Replicant”.

Spaces in Second Life where you can visit Tears in Rain and schedule

This artistic project tries to weave an exchange net between cultural groups in Second Life around the fragments of Rosa Montero’s book and, therefore, is widespread across time and space in these virtual galleries:

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Download the PDF of the first chapter of Montero’s book Tears in Rain in

Galleries of images of Tears in Rain artistic installation in Second Life

Lacrime nella Pioggia, preview of the 27th of octubre inside the Sanremo’s e-Book Festival:

The Robotic Wars in BURN2, in LEA10.

The Robotic Wars, Arthropod robot v.02.
Made in Blender 2.64 under Cycles Render. Low poly character.
Textures: “BURN2 playa”, from Burning Man, Tears of Steal’s “tile_rust_patches-im42″, from the Mango Project of the Blender Foundation and Madrid street overview map and replicant eye by myself.
©noke 2012.

Groups collaborating in this project

LEA (Linden Endowment for the Arts), Libriamo Tutti, Arte Libera, The Museum Karura Art Centre, BURN2.

Actors

Simba Schumann, Brune BB Crash Queen, Wizardoz Chrome, Grazietta Cazenove, Storm Blauvelt, Gattalia Rossini, Kondorblue, Helenita Janus, Moki Yuitza, Syra Hyun, Geigel (jjwilfred) Resident and Noke Yuitza.

“I BRUNA, I REPLICANT” Readers

Zelig, Miguel Lopez, Gabriela Vacca, Mara GalRiv, Gatito de Cristine Pizan, Sebastian Hidalgo, Nossa Kratfige Frau, Gabriel Diaz Barragan, Shangreloo Kuhn, Luis Alberto Moreno Reynoso, Elvira, Virginia Torres, Morlita Quan, Ina Karura, Brune BB Crash Queen, Karlos, Duna Grant, Ina Karura y Marieli Uriza.

Performers

Morlita Quan, Moki Yuitza and Kreao Kujisawa, Talia group of theatre, Karma Auer, Singularity Tribe’s DJs.

Special thanks to

Rosa Montero, Simona Lamonaca and Giovanni Dalla Bonna by their invaluable collaboration. Publishing houses  Seix BarralSalani EditorePorto Editora, Amazon PublishingÉditions Métailé, Muza SA. Groups Arte Libera, Libriamo Tutti, LEA, Burning Man y el Museo Karura Art Centre. Fred Beckhusen, by the help with scripting. To readers and actors. To Yoji and Filou.rod for the inspiring Neeloo Robot Women and  Robot Meditation Honda, from wich I took borrowed the eyelashes, that served to me to create my version of Bruna’s face and to people that, like them, share open source stuff!

Without you all, impossible to do a project of this size.

Software used

Blender 2.6, Photoshop & Illustrator CS5, Second Life’s 3D editor.

Concept, design, modeling, lights and textures by myself except:

  • Textures: “BURN2 playa”, from Burning Man, street by Second Life’s Library and Tears of Steal’s “tile_rust_patches-im42″, from the Mango Project of the Blender Foundation.
  • Vehicles and bus stop, animations and scripts: open source repositories of Fred Beckhusen, Urban Blight Project (by Arcadia Asylum) and Second Life’s Library.

Related articles about the intervention

IMMERSIVE WOR(L)DS – PARTE 1: Introduzione all’evento

Interview: Noke legge Rosa Montero

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Lacrime nella Pioggia, replicant eye

Lacrime nella Pioggia, replicant eye

The following article is the interview in Italian that Simba Schuumann, from Arte Libera, did to me during my presentation of Lacrime nella Pioggia for “Immersive wor(l)ds“. I hope you’ll like!

Lacrime nelle pioggia” è il titolo del romanzo della scrittrice spagnola Rosa Montero (Salani Editore), scelto per l’istallazione diNoke Yuitza per “Immersive wor(l)ds“. Conosco Noke ormai da diversi anni e resto sempre affascinata dal suo impeto creativo. Mi piace osservarla mentre lavora a un’istallazione, con precisione, attenzione ad ogni dettaglio, cura fino all’ultimo momento di ogni particolare. Arte Libera ha già avuto il piacere di ospitarla altre due volte ed è stata sempre una grande emozione. Questa volta, poi, Noke mi ha coinvolto fino in fondo nell’istallazione, chiedendomi di farle da modella per alcune foto e così mi sono ritrovata ad impersonare tre personaggi del suo libro con tre avatar diversi, tre personaggi di un mondo del futuro, molto diversi dal mio avatar consueto. E’ stato divertente e mi ha ovviamente incuriosita al punto da spingermi a leggere entro l’inaugurazione il libro di Rosa Montero, proprio per il desiderio di capire di più tutto quello che vedevo.

Continue reading the full interview… 

 

The SandMan at Arte Libera by Juanita Deharo

Artist, art critic, virtual builder, editor… Juanita Deharo  approaches art, science and her passion for books  to metaverse platforms. She’s specially interested in be a part of the reflection in global enviroment’s problems caused by humans. Recently, she visit our intervervention The SandMan at Arte Libera and wrote a fantastic art critique  about. Pol and I want to mercy her not only about the critique, but the incredible captures she took (we love specially the last one). Thank you so much Juanita!

If you want to read the critique she wrote and know a bit better this global con-science artist, here you have some links!

http://juanitadeharo.blogspot.com/2010/09/sandman-at-arte-libera.html

http://www.juanitadeharo.com/index.html

Syra and Simba as the 2 versions of Olimpia, the robot and the human, for The SandMan exhibit (picture by Noke Yuitza).

Fuoco Sommerso-Deep Fire, Portfolio

Fuoco Sommerso-Deep Fire Portfolio

http://issuu.com/noke/docs/fuoco_sommerso-deep_fire?viewMode=magazine

FUOCO SOMMERSO-DEEP FIRE

“Water and Fire, what ever could be so different and strong such a game between opposite and primordial elements?
Often they attract themselves one each other, so sometime, under the appareance of calm water, you could find an hidden impetuous fire… never stop to appearances… even while you’ ll see this suggestive and personal exhibit of the spanish Noke Yuitza called: Angels and Demons.
Are you sure to recognize who’s really the Demon and who’s the Angel?”

Simba Schumann*, galerist of Arte Libera, about Fuoco Sommerso-Deep Fire.

*Pseudónimo.